Pesquisando por: "WILLIAM HOGARTH" - Fotoarena - Agência de fotojornalismo

902_05_12290523HighRes Henry Fielding, 1707 ? 1754. English novelist and dramatist. After the engraving by William Hogarth. From Impressions of English Literature, published 1944.

917_05_WHA_091_0449 Engraving titled 'The Rake's Progress' by William Hogarth (1697-1764) depicting the Rake in the Debtor's Prison. Dated 18th Century.

917_05_WHA_091_0431 Illustration titled 'Industry and Idleness'. The illustration depicts arrest of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0344 Illustration depicting Hudibras visiting the lawyer. Illustrated by William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. Dated 18th Century.

917_05_WHA_091_0319 Illustration titled 'Industry and Idleness'. The illustration depicts the industrious apprentice gets on with his weaving while the idle apprentice sleeps off his hangover. First plate in William Hogarth's series. Dated 18th Century.

917_05_WHA_091_0280 Illustration titled 'Industry and Idleness'. The illustration depicts an execution at Tyburn for the execution of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0005 Engraving titled 'Marriage a-la-mode' depicting a breakfast scene. Dated 18th Century.

ibxsuc10339611 William Hogarth 1697 to 1764, English painter, graphic artist, satirist, social critic and caricaturist. From The National and Domestic History of England by William Aubrey published London circa 1890, Historical, digitally restored reproduction from a 19th century original, Record date not stated

ibxsuc10093873 William Hogarth 1697-1764, English artist. From the book Gallery of Portraits, published in 1833, Historic, digitally restored reproduction from a 19th century original, Record date not stated

alb3730806 A Rake's Progress: pl.7. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3714710 The Reward of Cruelty. Dated: 1750. Dimensions: block: 45.2 x 37.6 cm (17 13/16 x 14 13/16 in.) sheet: 52.7 x 40.9 cm (20 3/4 x 16 1/8 in.). Medium: woodcut on thick laid paper. Museum: National Gallery of Art, Washington DC. Author: after William Hogarth John Bell.

alb3728330 A Rake's Progress: pl.8. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3724657 The Reward of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3738906 Gin Lane. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3616308 Martin Folkes. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 13 3/8 x 9 5/16 in. (33.9 x 23.7 cm). Sitter: Martin Folkes (British, 1690-1754). Date: 1742. Museum: Metropolitan Museum of Art, New York, USA.

alb3738983 Beer Street. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

akg1557083 Hogarth, William. English painter, 1697-1764. "Marriage A-la-Mode: 6, The Lady's Death", c.1743. Oil on canvas, 69.9 × 90.8 cm. Inv. No. NG118. London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.

akg014616 William Hogarth, English painter, engraver and etcher, London 11/10/1697 - there 10/26/1764. "William Hogarth". Copper engraving by Thomas Chambars (c. 1724-1789) after the self-portrait "The painter and his pug", 1745. From: Orford's Portraits. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg7642653 William Hogarth, English, 1697-1764, Portrait of a Lady, ca. 1740, oil on canvas, Unframed: 30 1/8 × 25 3/8 inches (76.5 × 64.5 cm).

akg869923 Hogarth, William 1697-1764. "An emblematical print on the South Sea scheme", 1721. (Caricature about the South Sea Bubble, England 1720). Copper engraving, colourised at a later stage.

akg045239 Hogarth, William. 1697-1764. "Southwark Fair", 1733. Painting.

akg1043705 University / Lecture.-"Scholars at a Lecture" (Caricature of a lecture in law at the Jesus College in Oxford; the headwear indicates the social position of the students: angular hats for scholarship students, round ones for those paying themselves.-Copper engr., 1736, by William Hogarth.

akg1062129 Universität / Vorlesung.-"Scholars at a Lecture" (Studenten bei der Vorlesung: Karikatur einer rechtswissenschaftlichen Vorlesung am Jesus College in Oxford; die Kopfbedeckungen verraten die soziale Stellung der Studenten: eckige Mützen f. Stipendiaten, runde f. Selbstzahler.-Spät. Kolorierung. Kupferstich, 1736, v. W. Hogarth.

alb5110042 The Royal Sport, Pit Ticket, unknown artist, eighteenth century, after William Hogarth, 16971764, British, undated, Gouache on ivory, Image: 5 1/8 x 6 11/16 inches (13 x 17 cm), animals, anxiety, arena, betting, carpenter, chaos, coats, cock-fight, cockpit (recreation space), coins, criminal, crowd, deaf, death, dog (animal), drunk, gallows, gambling, genre subject, gentlemen, gesture, hangman, helmet, laughing, leisure, men, messenger, money, nobility, pipe (smoking equipment), pointing, roosters, rule (measuring device), servant, smoking, snuff, snuffboxes, sporting art, stealing, theft, thief, tickets, tricornes.

alb4554199 William Hogarth (1697-1764). English painter and engraver. Self-portrait depicting Hogarth painting Thalia, the Muse of Comedy. Oil on canvas (45,1 x 42,5 cm), ca. 1757-1758. National Portrait Gallery. London, England, United Kingdom.

alb3628010 Ticket for Henry Fielding's The Mock Doctor. Artist: Formerly attributed to William Hogarth (British, London 1697-1764 London); Formerly attributed to Joseph Sympson, Jr. (British, active 1727-36). Dimensions: Plate: 5 1/4 x 5 7/16 in. (13.4 x 13.8 cm)Sheet: 5 7/8 x 6 1/8 in. (15 x 15.5 cm). Date: 1792. Museum: Metropolitan Museum of Art, New York, USA.

alb3656842 The Wedding of Stephen Beckingham and Mary Cox. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: 50 1/2 x 40 1/2 in. (128.3 x 102.9 cm). Date: 1729.This wedding group is one of the artist's first essays in the fashionable genre of the conversation piece. Beckingham, a London lawyer, and his bride are flanked by members of their families. The marriage took place at St. Benet's but the setting is based on the church of St. Martin-in-the-Fields in Trafalgar Square. Although Hogarth was sought after for his ability to capture a likeness, the solemn event depicted here seems to have had limited appeal to him by comparison with his famous satirical subjects. Museum: Metropolitan Museum of Art, New York, USA.

alb3643175 Benefit Ticket for Joe Miller. Artist: Formerly attributed to William Hogarth (British, London 1697-1764 London); Formerly attributed to Joseph Sympson, Jr. (British, active 1727-36). Dimensions: sheet: 6 1/8 x 9 in. (15.5 x 22.9 cm). Etcher: Samuel Ireland (British, active from ca. 1760, died London 1800). Subject: Joseph Miller (British, 1684-1738); Relates to Sir William Congreve (British, 1772-1828). Date: 1794-99. Museum: Metropolitan Museum of Art, New York, USA.

alb3646038 Frontispiece to the Catalogue of Pictures Exhibited in Spring Garden. Artist: After William Hogarth (British, London 1697-1764 London); Charles Grignion, I (British, London baptised 1721-1810 London). Dimensions: sheet: 7 1/4 x 9/16 in. (18.4 x 1.5 cm). Date: May 7, 1761. Museum: Metropolitan Museum of Art, New York, USA.

akg045278 Hogarth, William 1697-1764. "The Dance" (The Wanstead Assembly), c. 1728. No. 6 from series "The Happy Marriage". Oil on canvas, 67.5 × 90cm. London, Camberwell Art Gallery.

akg045260 Hogarth, William. 1697-1764. "The Funeral" (the harlots taking leave by the side of Mary's coffin). Page 5 from series: "A Harlot's Progress". 1732. Etched copy, 1793/99 by Ernst Ludwig Riepenhausen (176501840), 16.8 × 21.7cm. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

orz052231 March of the Guards to Finchley - 1750 - 101,5x133, cm - oil on canvas. Author: WILLIAM HOGARTH. Location: NATIONAL GALLERY. LONDON.

les39170204 The Election (a series of four paintings): Chairing the Member 1755 Oil on canvas; 100 x 127 cm. Author: WILLIAM HOGARTH. Location: Sir John Soane's Museum, London, Great Britain.

les39170203 The Rake's Levee (A Rake's Progress) 1735 A levee is a reception held by a monarch or other high-ranking person on arising from bed. Tom is spending his inheritance on suppliers of expensive (and in particular unnecessary) services who try to encourage him to ape the aristocracy. The pictures on the wall, however, show his lack of taste, scenes from classical mythology hang next to pictures of game-cocks. The characters in the picture would readily have been identified by Hogarth's contemporaries as real life London citizens. They include a paid bodyguard who lookes like a criminal, a jockey (kneeling in the front), a dancing-master with a kit-violin (a small three-stringed violin), a huntsman (blowing a horn), a music master, a French fencing master, a quarterstaff (a wooden staff used as a weapon) instructor, a landscape gardener (behind the Rake, with a drawn plan), a poet, and a tailor. Oil on canvas; 62,5 x 75 cm. Author: WILLIAM HOGARTH. Location: Sir John Soane's Museum, London, Great Britain.

les39170209 Marriage A-la-Mode: 4. The Toilette 1743 "Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. about 1743 Oil on canvas; 70,5 x 90,8 cm NG116. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

les39170202 The Orgy aka The Rake at the Rose-Tavern (A Rake's Progress) 1735 The Tavern Scene shows the Rake amusing himself in a notorious brothel, the Rose Tavern in Covent Garden, after an evening of drinking and hooliganism. Next to the Rake on the floor are the lantern and staff he has captured of a watchman earlier in the night (another sign that he has been in a fight is that his sword is unsheathed). The picture is full of sordid details: on the far left the contents of a chamberpot are spilled over a dish of roast chicken, one of the prostitutes at the table spits at another one (who is holding a knife), a stripper in the foreground is undressing herself for an obscene show which she will perform on a silver plate (which her pimp is holding together with a candle that she will extinguish in her vagina after the dance)and a street singer by the door on the left is singing 'The Black Joke', a notoriously obscene song. The prostitutes, who are stealing the Rake's watch, have pockmarks on their face (a sign that they have caught syphilis), while the pills on the floor next to the Rake suggest that he has caught the disease too. Oil on canvas; 62,5 x 75 cm. Author: WILLIAM HOGARTH. Location: Sir John Soane's Museum, London, Great Britain.

les40060103 Marriage A-la-Mode: 6. The Lady's Death 1743 " Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. about 1743 Oil on canvas; 69,9 x 90,8 cm NG118. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

alb9871426 Sir James Thornhill, English painter, 1675-1734. Artist of historical subjects working in the Italian baroque tradition.. In wig, cravatte and coat. Original print engraved by Samuel Ireland after William Hogarth. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.

alb9877827 Columbus and the egg. Christopher Columbus stands an egg on the table in a wager with several noble Spaniards. Woodblock engraving after William Hogarth from The Penny Magazine, of the Society for the Diffusion of Useful Knowledge, printed by William Clowes, Lambeth, 1833.

alb3402416 Tomb of artist William Hogarth, Chiswick churchyard, Middlesex. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.

alb3714466 Moses Brought to Pharaoh's Daughter. Dated: 1752. Dimensions: plate: 42.6 x 52.7 cm (16 3/4 x 20 3/4 in.) sheet: 45.5 x 61.8 cm (17 15/16 x 24 5/16 in.). Medium: engraving and etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: William Hogarth and Luke Sullivan.

alb3736829 The First Stage of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3652676 Don Quixote releases the Galley Slaves (Six Illustrations for Don Quixote). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Miguel de Cervantes Saavedra (Spanish, Alcalá 1547-1616 Madrid). Dimensions: sheet: 9 5/16 x 6 15/16 in. (23.7 x 17.6 cm). Date: 1756 or after. Museum: Metropolitan Museum of Art, New York, USA.

alb3663112 William Hogarth, Self-portrait. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 9 5/16 x 7 9/16 in. (23.7 x 19.2 cm). Etcher: Samuel Ireland (British, active from ca. 1760, died London 1800). Date: 1785. Museum: Metropolitan Museum of Art, New York, USA.

akg5862588 Group pictures. - "ANGLETERRE / XVIIe et XVIIe siècle, Scènes d'intérieur, Puritains et bourgeois" (England, 17th and 18th centuries: Scenes from domestic life, Puritans and citizens). - (Above: "The Committie", illustration to William Butler's Hudibras after the engraving by William Hogarth, 1697-1764. Below: family portrait of a merchant after a copper engraving from 1766 by Miller). Lithograph by Carred. Print: Firmin-Didot et Cie., Paris. From: A. Racinet (Auguste Racinet, 1825-1893), Le Costume Historique, Cinq cents planches (...), Types principaux du vêtement et de la parure rapprochés de ceux de l 'intérieur de l'habitation dans tous les temps et chez tous les peuples, avec de nombreux détails sur le mobilier, les armes, les objets usuels, les moyens de transport, etc., Paris (Librairie Firmin-Didot et Cie.) 1888, Volume V, Plate 379. Private collection.

akg151409 Butler, Samuel; Engl. satirist. 1612-1680. Works: Hudibras (burlesque poem (1663, 1664 and 1678). "The bear hunt". Engraving, 1726, by William Hogarth (1697-1764).

akg045294 Hogarth, William. 1697-1764. "The False Perspective". Wood engraving, after copper engraving by Hogarth. From The Penny Magazine, vol 6, no. 296, Leipzig, (F.A. Brockhaus), 1838, (1 December). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg1642492 Butler, Samuel; engl. Satiriker; 1612-1680. / Werke: Hudibras (Burleskes Heldengedicht (1663, 1664 u. 1678).-" HUDIBRAS".-(Illustration zu Teil 2, 3.Gesang, II). Kupferstich, von Thomas Cook (um 1744-1818) nach William Hogarth (1697-1764), London (Longman, Hurst, Rees, Orme), 1.3.1808, Tafel VIII.

alb5274474 Scholars at a Lecture, still image, Prints, 1736, Hogarth, William, 1697-1764.

alb3620412 Vauxhall Gardens. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Robert Pollard (British, Newcastle-upon-Tyne 1755-1838 London); Francis Jukes (British, Hertfordshire 1747-1812 London). Dimensions: Sheet: 21 x 30 in. (53.3 x 76.2 cm). Publisher: Published London by John Raphael Smith (British, baptized Derby 1751-1812 Doncaster). Date: June 28, 1785.Like his predecessor William Hogarth, Rowlandson satirized Regency society in all its squalor and splendor. At this evening outdoor concert in the poshest of London's pleasure gardens, he turned the fashionable crowd of spectators into the object of amusement. In the foreground, Georgiana, Duchess of Devonshire, and her sister Lady Duncannon stand arm in arm while, at right, the Prince of Wales whispers to his mistress Mary "Perdita" Robinson. Jukes and Pollard effectively captured in aquatint the delicate tonal gradations and animated line of Rowlandson's lively watercolor. Museum: Metropolitan Museum of Art, New York, USA.

alb3654717 William Hogarth, Serjeant Painter to His Majesty. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 15 15/16 x 15 3/4 in. (40.5 x 40 cm). Date: 1764. Museum: Metropolitan Museum of Art, New York, USA.

akg014617 William Hogarth; English Painters, copper cutters and erasers London 10.11.1697 - ebenda 26.10.1764. - "Hogarth painting the comic muse". (Self-portrait Hogarths at the easel, painting the comic muse). Steel engraving, c. 1850, by J. Moore, after painting, 1758, by Hogarth. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg108910 Händel, Georg Friedrich Composer, Halle 23.2.1685 - London 14.4.1759. Portrait. Mezzotint by Charles Turner (1773-1857). after the painting by William Hogarth. (1697-1764).

les40060104 Marriage A-la-Mode: 2. The Tête à Tête 1743 " Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. about 1743 Oil on canvas; 69,9 x 90,8 cm NG114. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

alb5178548 False Perspective Exemplified, Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, A river landscape with a bridge and an arch. The bridge and tower drawn in wrong perspective. At right foreground, a tree, hills in background., England, 1754, Print, Print.

alb5175835 Theodore Gardelle, Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Aquatint and etching in brown ink on paper, An old man in side view towards right. Half-length, he holds in his right hand an opened book. He wears a white nightcap, white shirt and a dark coat. Illustration for Ireland, 'Graphic Illustrations' I, 172., England, 1786, Print, Print.

alb5088120 Ann Hogarth, William Hogarth, 16971764, British, ca. 1740, Oil on canvas, Support (PTG): 18 3/8 x 16 3/8 inches (46.7 x 41.6 cm), bonnet, costume, oval, portrait, profile, woman.

alb5206761 Garrick in the 'Farmer's Return', Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching and aquatint on paper, Seated figure of a man in frontal view. He (garrick) is dressed as a farmer; in his right hand he holds a long pipe. Illustration for Ireland, 'Graphic Illustrations' I, 171., England, 1794, Print, Print.

alb5205684 Justice Welsh, Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, Engraving after a pen and ink drawing. A half-length portrait slightly turned toward right. The sitter wears a wig. Inscribed, lower center: Justice Welch. Illustration for Ireland, 'Graphic Illustrations' I, 155., England, 1788, Print, Print.

alb5202270 Sketches From Pen and Ink Drawings, Jane Ireland, British, William Hogarth, English, 1697 - 1764, Etching on paper, Six drawings of half-length figures in three rows. They represent - from upper left: a woman hitting a man; a woman and two men in profile, facing left smiling; a boy, facing left; a sleeping man, in frontal view; a man in frontal view, a woman in side view; a young man, head turned to left., England, 1794, Print, Print.

alb5209588 Ellis Gamble's Book Plate, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, A small coat-of-arms surrounded by a head of Mercury, caryatids, basket of flowers and a head in a cartouche. Below, a banderole with inscription., England, 1786, Print, Print.

alb5206425 Self Portrait of William Hogarth, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Youthful half-length portrait of Hogarth. The sitter is in three-quarter view towards right. In his right hand, he holds a palette., England, 1786-1794, figures, Print, Print.

alb5105286 A Woman Swearing her Child to a Grave Citizen, Print made by John Young, 17551825, British, after William Hogarth, 16971764, British, Published by John Young, 17551825, British, 1816, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 18 3/4 × 23 1/4 inches (47.6 × 59.1 cm), Plate: 18 × 22 inches (45.7 × 55.9 cm), and Image: 15 7/8 × 21 inches (40.3 × 53.3 cm).

alb5100883 3 Characters, 4 Caricaturas, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5105707 Analysis of Beauty, Plate I, Print made by J. Barlow, active 1791, after William Hogarth, 16971764, British, Print made by John Boydell, 17201804, British, 1791, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5100218 Frontispiece to the Artist's Catalogue, 1761, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5100259 The Enraged Musician, Print made by Thomas Cook, 17441818, British, William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1806, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5106902 Plate I, Pikemen, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1809, Etching on medium, slightly textured, cream wove paper.

alb5109530 Humours of an Election Entertainment, Print made by T. E. Nicholson, active early 19th century, British, after William Hogarth, 16971764, British, Published by Jones & Co., active 18221850, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5103491 Analysis of Beauty, Plate I, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5102774 Analysis of Beauty, Plate II, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1808, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5107653 None, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1808, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5105052 Chairing the Member, Print made by T. E. Nicholson, active early 19th century, British, after William Hogarth, 16971764, British, Published by Jones & Co., active 18221850, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5104277 Polling at the Hustings, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1808, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5106408 Chairing the Members, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5104077 Canvassing for Votes, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5099600 The Invasion, Plate II, England, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5098216 Frontispiece to the Artist's Catalogue, 1761, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5099232 Chairing the Members, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5099947 Copyright - Act of Parliament, Print made by William Hogarth, 16971764, British, After William Hogarth, 16971764, British, 1767, Letterpress with engraving.

alb5097884 The Enraged Musician, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1806, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5097940 Chairing the Members, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5190093 Plate IV, from from 'Characters who Frequented Button's Coffeehouse About the Year 1720', William Hogarth, English, 1697 - 1764, Samuel Ireland, English, ca. 17441800, Aquatint on paper, Interior scene with four men around a table. Two of them are seated in the middle, two are standing: one at left has placed his hat upon table; the other one at right pointing with his finger. Two men with names inscribed above their heads., England, 1786, Print, Print.

alb5188656 John Wilkes Esqr., Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, Etching after a pen drawing. A man (Wilkes) seated on a chair turned to left. With his left hand he supports a stick with a cap inscribed 'Liberty'. The original paper with torn corners. Illustration for Ireland, 'Graphic Illustrations' I, 176., England, 1763, Print, Print.

alb5110009 First Design for the Enraged Musician, Print made by Thomas Ryder, 17461810, Irish, after William Hogarth, 16971764, British, Print made by Samuel Ireland, active 1760died 1800, British, 1799, Etching and roulette on medium, slightly textured, cream wove paper.

alb5110158 Columbus Breaking the Egg, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb3710801 The Idle 'Prentice Executed at Tyburn. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3713536 Evening. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3634835 The March to Finchley (A Representation of the March of the Guards towards Scotland in the Year 1745). Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 17 x 21 15/16 in. (43.2 x 55.8 cm). Engraver: Luke Sullivan (Irish, 1705-1771 London). Date: December 31, 1750. Museum: Metropolitan Museum of Art, New York, USA.

alb3701176 The Laughing Audience. Dated: 1733. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3707987 Hudibras beats Sidrophel and his man Whacum. Dated: 1725/1726. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3730758 The Industrious 'Prentice Lord-Mayor of London. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3699758 Noon. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3697992 Southwark Fair. Dated: 1733/1734. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3745367 Garrick in the Role of Richard III. Dated: 1746. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth and Charles Grignion.

alb3744091 John Wilkes Esq. Dated: 1763. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3900527 David Garrick as Richard III. Date/Period: Ca. 1745. Painting. Oil on canvas. Height: 1,905 mm (75 in); Width: 2,508 mm (98.74 in). Author: William Hogarth.

alb5104402 A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5), Luke Sullivan, 17051771, British, And William Hogarth, 16971764, British, after William Hogarth, 16971764, British, 1745, Engraving, Sheet: 16 1/4 x 21 3/8in. (41.3 x 54.3cm).

alb5104380 A Country Inn Yard, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1808, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5095602 Polling at the Hustings, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1808, Etching and line engraving on medium, slightly textured, cream wove paper.